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  • Comma, Comma, Comma, Chameleon

    drag

    “I could never tell my coworkers about my weekends,” he chuckled to himself as he slipped on the second glittery gold platform heel. He was careful with his nails as he fastened the strap. His hair was perfect. The night was his.

    He watched himself walking toward the  mirror, coming to a stop nose to nose with himself, a smirk painting his glittering gold lips. “It’s a shame, really.”

    “Do I look pretty, Judy?” His wife had given up long ago and in secret followed his fashion advice. In some ways she had a girlfriend. Still. She wanted a husband… “It’s a shame, really.”

    “Exactly” he exclaimed, tearing himself from the mirror with a flourish of his draping silk blouse. He squeezed Judy’s cheeks between his palms, his acrylics shying away from contact. “They’d adore me, wouldn’t they! How couldn’t they!”

    With Sherry on his breath and Cher on his mind, he sauntered toward the door. “Have a good night, my love! See you in the morning!”  He slid into the limo and told the driver the way to the first stop, to pick up supplies, as he poured a glass of champagne.

    The cab pulled up in front of a dilapidated motel. His heels were first to hit the pavement. He stood up with an easy poise, strolled across the empty parking lot and rapped his nails on a door stained with the number 9, the metal fixture long since removed. “Get your ass outta bed, Benny!”

    Benny woke up to anxious tapping. He immediately felt sick. How long had it been? “BENNY!” Fucking shit, it won’t stop until I answer it. Fucking Charlene. Dude, thinks he’s chick. Whatever, it’s not gay if they pay you to suck your dick. Plus, he’s good at it…

    “About damn time,” Charlene said, glancing down at Benny’s tight briefs. He shook his head and wiggled across the room. “I don’t know how you waste your day like this, Benny. It’s 9 o-fucking-clock. P.M.”

    His coke-covered dick sparkled like a unicorn horn. Charlene licked the residue of the last line off Benny’s quivering, smaller-than-average penis. Charlene slipped the two red bags into the lining of her sequined purse and left without saying goodbye.

    The driver glared angrily into the back seat, anxious to get the whore out of his cab. She gave him an address and set to fixing her make-up in a compact. “Take it easy on the bumps,” she said,  laughing hysterically a moment later as she grasped around frantically in her bag to check her stash.

    Her swagger into the club swayed with the energy of that last limo bump. She felt better than she looked, but her saunter didn’t know it. She swam in the disco colors and bobbed to the boy across the room. She had her prey. From a forced distance, the dance floor was a desert, the boy a starving child, and she a hovering vulture. Her wings cocked, she bounced to the music.

    Here’s what she really looked like: her stilettos slipped constantly on the alcohol-slicked floor, her wig barely clung to the patchy black hair underneath, the sweat on her brow caked her make-up unnaturally around her eyes. When she clumsily thrust her hip against his thigh, the boy could make out a faint trail of white powder dripping from Charlene’s nose.  “Dad?” he said.

    The silence on that ride home was golder than Charlene’s handbag.

    This piece was created by Chase Springer and Alexander Tague through an exquisite corpse type game where they passed lines back and forth between each other. Alexander started it and Chase ended it. Sexy is back…

  • Happy Birthday, Brittany!

    I awoke like Rip van Winkel coming back as Britney parts his beard. Sexy is back in the forest.

    The minuet of solitude surrendering to the beat one more time, one more time.

    He crouched on the fringes of the village, watching the fire play on the faces – tracing the patterns that he would soon make across those happy faces.

    That kinship lost in the eternity spent on the other side of the wall, he licked century-old crumbs flaked on his lips, hungry — wonton.

    That beard remembered those sexy times when it was kept and groomed. Women would line up to touch it. These stripes of honor have turned to lines of loneliness.

    Somewhere deep in his grumble he knew dainty fingers would no longer tingle those whiskers, too foreign to the touch, too coarse with age — the knowledge of the stars; the micro- and the macro- and the mega- and the meta-dimensions.

    Dancing to the flickering of the neurons ignited by psylocybin. Dark light. Dark light. Burning bright. That lick of the flicker. He could taste their sweat, their passion, their blood in the cracks of his teeth.

    A moment came and went before him, he refused to act, to not act. He let it pass. It would circle back.

    He ballerina spiraled his cigarette butt out. Each puff dragged him toward fate. But, that smoke held a mystery. There was comfort in that darkness.

    Through the haze a figure appeared, circling in closer with each exhalation. Contouring and dissipating, redefining memories born and long-forgotten in his mind.

    I can’t tell if this cat that I’m talking to is real. This fractal tabby is an asshole, but he’s right.

    I’m reminded of younger days, when the world span faster and days took less time to pass, when the stars teased the sun as it set on the other side of this blank expanse of empty mountain ranges and barren rivers, before all these dancing smiling faces and the lingering oils of maidens sustaining the last threads of ancient whiskers.

    The little girl asked, “How old are you?” I replied, “I am forever.” I have been there. I will be here. Forever. That is my curse. Forever, I will be a child. I am Peter trapped in Wonderland. Please help me, Wendy. Wendy? Wendy…

    “It’s Britney, bitch.”

     

    This piece was created by Chase Springer and Alexander Tague through an exquisite corpse type game where they passed lines back and forth between each other. Alexander started it and Chase ended it. We’ll hit you one more time, baby…

     

  • Petering Out

    I am a Peter Pan who has been asked to show people how to grow up. At first I laugh and fly away. But then, I realize that as a man-child, I offer one insight that they’ve lost and another that they wish they could have. I might skirt upon this precipice, as Peter does upon the mouth of the croc. But forever we will all be slaves to the tick tock, tick tock.

    peter

  • Dropped into the Bath. Fighting to be Clean. Exposed.

    bath

    I woke up thirsty and drained. I peeled my lips apart and struggled to ask for something to drink. Only a rustle came out. It was then that I noticed the wetness around me. Felt the sweat of our embrace. I pulled you even closer, hoping to absorb the moisture. Hoping to absorb you.

    I wasn’t sure how long I’d been in the darkness. There was no time there. There was nothing at all. It was the waiting room for where dust is made into people. I felt like the gods didn’t know where to put me. And they certainly didn’t want to talk to me. The gods have been quiet for a long time. Their voices reduced to raspy leaves.

    But if this was a waiting room, it was awfully empty. Whatever I was waiting for apparently wasn’t very popular. When I came back Ariom said he could smell the death lingering on me. I smelled like transition, the musk inside a leaf pile, a freshly fallen death trading the greens of life for the deep reds and oranges and peaceful yellows of Fall.

    I’d awoken from my hibernation, but I was trapped in this arboreal estuary. That small death was frightening, but beautiful. Erupting like the tops of trees. Bursting into bloom with a kaleidoscope of petals. Fertilizing my breath with gusts of pollen. Ripening me into a fruit. Dropping me to the ground to become a tree again.

     ******

    My days as a cup-holder made me well suited to be a table. In the time it takes to yell “timber” I was transformed from something to rest in to something to rest on. My inner rings of age became outer rings of not-using-a-coaster.

    I worked hard to make that leaf pile before I dove into it. I landed as a bird onto my own branches, scurried down them as a squirrel, hit the ground like a lion, and dove into that pile like a child.

    ******

    Ants produce a chemical beacon when they die. Broadcasting their death, the other ants come to carry them away and deposit them in the pile of discarded workers.

    ******

    I slowly untwisted myself from the pile of death that we had become. I wiped the chemical secretions from my forehead and brushed the leaves off my back. Someone gave me lemonade to bring summer back into my throat. I struggled to remember where I had just come from. At first, I wasn’t even sure what had taken me there. I felt like a van Winkle waking from a “nap”. Perhaps if I worked backwards, I would figure out how to proceed. Everyone around me would have to stare at me for a while longer until I sorted this out. I fixated on the repeating triangles of the geodesic dome above me, held you again, and dug my neural roots back into the alkaline soil.

    I remember a portal opening up…

    My eyes were open at first as I passed the pipe between us. Each hit making it harder to see. Harder to move. Harder to be. The colors shimmered out of hiding, slowly at first, like munchkins showing me the way to the golden road. They danced and sang to me. We played together until we were called home by our mothers.

    One by one, the shapes collided into a rainbow aperture. They shuttered open. In a flash I was inside. I shot down a teleportal lens. With a snap I was frozen in time.

    There was an immense feeling of emptiness. Loneliness. Yet, there was a peace in the emptiness, a comfort in the nothingness. The lack of exposure promised endless possibilities. Like quantum photos, the negatives become positive and the meaning rests somewhere in that silver substrate, submerged in a bath of chemical development. Photosynthesis. Absorbing light in a dark room. Choosing the perfect filters to expose a captured moment.

    I don’t know how long I had been there. My memory was piecing back together like the fractal puzzle I’d entered. They asked me if I was okay when I came back. Apparently, I’d been writhing.

     

  • His Beats are Fresh and Edgy

    edgy

    They live on the edge of pain. They mark themselves in preparation. Cutting and piercing themselves over and over. They practice for this moment of initiation. The moment they are circumcised. The party kids wait for them. Wait in 4/4 time, their feet sliding back and forth: two steps sideways, four on the floor. Wait for the princes of the underground to arrive with their foreskins tied in a bow. Wait for them to fertilize the party. Wait for them to come of age.

  • The Art of Arranging

    Coffee Tree

    Humanity has an inherent obsession with naming things. A name implies ownership. It suggests dominion.

    My urge to arrange everything arises out of a need to control. Not a negative, restrictive type of control. The control that I pursue desires order and understanding, not manipulation. For example, I arranged my G.I. Joe’s by color. It made them easier to find at the time, and later caused me to question my sexuality. In either case, Rubbermaid is a good investment.

    I knew that someone had been in my room. The objects that I had so meticulously arranged and memorized had moved. My journal had been read.

    Instead of asking me questions, my father had taken answers. He concluded that I was depressed and suicidal. He wan’t wrong, but he forgot that I was a teenager. My hormones lacked aim as they ejaculated on those coffee stained pages. That’s right. I wrote shitty poetry. That’s fine. We all write shitty poetry. The problem is that I wrote these pubescent bubbles down in a poorly guarded notebook. Even worse, I shared these premature denouncements of culture out-loud to over-caffeinated, captive audiences of disinterested and dysfunctional adults. Coffee shops and open mic nights gave my adolescent meanderings a false sense of grandeur.

    In a tangible (more than a prayer), and in retrospect good-intentioned, effort to save me, my father, the doctor, prescribed me Prozac. The prodigal son, wanting a seat at his father’s side, swallowed the little green and white capsules.

    I’ve never felt so alone in my life. Felt isn’t the right word. The problem was that I didn’t feel anything. Empty. Flat. Quiet. I didn’t feel sad or happy. I felt nothing.

    Before I took my medicine, my mind would never stop. Billie Holiday and her black coffee were the only ones who would stay up with me. I was too young (and innocent) to drown the voices in self-administered relief. I needed a prescription. I trusted the man offering me solace. He had saved me before. Even his violation of my privacy was out of a desire to help me. He told me that he could quiet my thoughts. He offered sleep to a lifelong insomniac. A pill a day, I followed my script. I never expected to be alone on stage, delivering a soliloquy to an empty theater.

    The death was slow and sudden, like waking up and realizing that the leaves have changed color. I didn’t notice. I didn’t care. All of the beautiful details around me smeared into a nice, neutral beige (“This will go with anything!”).

    Two weeks into the medicated regimen, I was willing to go with anything. The random thoughts would still come by, slip past the moat. They were decreasing, but the ones that remained had a loudness and an echo that hadn’t existed before in the cacophony.

    I was driving down a Missouri highway when one of those thoughts t-boned me. I recalled a simple fact that I’d consumed and filed who knows how long ago: Automobile accidents at 70 mph or greater are 100% fatal when not wearing a seatbelt. I was doing 75. I slowly and intentionally pushed my foot down on the accelerator. 80. 85. 90. 95. (I know it’s dramatic. I was a teenager. On anti-depressants.) Fuck this. 120.

    The Swedish engineering of my Volvo 780 turbo station wagon was starting to shake. I had yet to even tremble. I’d run out of numbers on the dashboard. Then, I saw the tree. It was huge. Old. Wise. I drifted. Casually aligned with its center.

    It didn’t take long to close the distance. I mustered an emotion of destined fate to hold my aim and grip on the wheel as I bounced over the shoulder and into the field. 1,000, 800, 500, 200 feet. It won’t take long. You won’t even feel it. And you certainly won’t remember it.

    I hit the brakes. Pulled the wheel. Punched it. And swerved around the tree.

    I hit the brakes again as I maneuvered my family car through a 360° spin that moonshot me back onto the road.

    I continued down that road as if nothing happened. When I got home, I stared at the gelatin capped arrangements on the surface of the toilet bowl water. Sometimes, flushing everything away is for the best.

  • Manhattan Poster

    A poster for Manhattan

  • Brooklyn Poster

    A Brooklyn poster I threw together. It’s time to decorate the walls.